Charles Dickens (1842)
2/5. Finished Tuesday 17 February, 2015.
(Originally published on Goodreads.)
2/5. Finished Tuesday 17 February, 2015.
(Originally published on Goodreads.)
I’m writing a book on my sabbatical. Or trying to, anyway. So I thought I’d publicise the fact so people can hassle me to keep at it. I’ve been working on complex systems for a couple of years, especially on complex networks: things like the way people move through a road and rail network, or how diseases spread through social networks. It’s a bit of a change from my previous work on sensor data interpretation, although not as much as you might think: I’m wondering whether we could combine sensing and simulation, to use sensors to confirm predictions or to drive and condition further simulations. Getting into this area has been — and is — a head-wreck. It’s both highly mathematical and highly computational. I understand the computing; the maths, not so much. Many computer scientists would have the same reaction, but conversely, so would many mathematicians: the maths would be familiar, the computing a challenge. So effectively in order to make progress you have to climb two learning curves simultaneously: some unusual and challenging mathematics about stochastic processes, simulated using cluster or cloud computing which poses a lot of challenges even for someone used to programming. This is made harder by the research literature, though, which tends towards sparse mathematical descriptions, which is frustrating at two levels: the computing is probably interesting (to people like me), and it’s hard to re-create the results when the computational approach underlying the graphs and results is unclear. So with this in mind, and because I’ve never done it before, I’ve decided to write a textbook: Complex networks, complex processes. (No, I’m not very imaginative when it comes to titles…) The idea is to link the maths to the code, providing everything a research would need to get started with the maths and the computing. Since this is likely to be a book with, shall we say, limited circulation, I’ve decided not to bother with a publisher and instead make it completely open. You can look at the current state on the web here, download the sources, copy and run the code, or anything needed to get started. It’s a work in progress and it’s not very usual to advertise books before they’re in a fit state to be read, but I suppose that’s just a part of open science: make the process visible, warts and all. It also means I’ll hopefully get comments and encouragement to keep at it when it starts to fall by the wayside of other things I have to do. The goal is to get the majority done while I’m on research leave (until September), and comments on style, content, and progress will be most welcome.
I have a fully-funded PhD scholarship available, tenable from September 2015, to work on data science in medicine.
The autobiography of one of the four main English-language poets of the First World War (the others being Wilfred Owen, Siegfried Sassoon, and Rupert Brooke) offers a fascinating insight into the first-hand experience of war – if a less fascinating insight into the poet’s life.
Graves is clear about the trauma, dirt, terror, and suffering of the war. His description of a battle at Loos sums-up the mindlessness of the experience: waiting, anticipation, false starts, screwing-up courage only to be knocked back. It’s hard to imagine anyone going through that and not being exhausted by the adrenaline. On the way he meets Sassoon, as well as Thomas Hardy, TE Lawrence, and various other figures of the literary times.
The rest of the book is less satisfying: his boyhood at Charterhouse perhaps prepared him for the capricious nature of war, in a way, while his later experiences at Oxford and elsewhere added little to my appreciation, apart from summoning-up a vague jealousy at some of his descriptions of intellectual society just after the War: it’s hard to imagine many of the conversations he describes happening now, with their deep classical allusions and assumptions of erudition on all sides.
Least satisfying is that to autobiography of a poet reveals so little about his poetic frame of mind. Graves doesn’t explore the what it means to be a poet, although he alludes to the “poetic tendency” often enough. It’s a surprisingly unrevealing book at a personal level: perhaps less intimately revealing than his poetry itself, in fact, but worth reading for its historical context.
3/5. Finished Saturday 24 January, 2015.
(Originally published on Goodreads.)
The 2015 CPHC/BCS Distinguished Dissertations competition is now open for submissions via the submissions site. Closing date Wednesday 1 April 2015. Further details can be found below and on the competition web page. The Council of Professors and Heads of Computing (CPHC), in conjunction with BCS, The Chartered Institute for IT, annually selects for publication the best British PhD/DPhil dissertations in computer science. The scheme aims to make more visible the significant contribution made by the UK - in particular by post-graduate students - to computer science. Publication also serves to provide a model for future students. The selection panel on behalf of BCS/CPHC consists of experienced computer scientists, not more than one from any institution, each normally serving on the panel for three years. Any dissertation is eligible which is submitted for a doctorate in the British Isles in what is commonly understood as Computer Science. (Theses which are basically in some other discipline but which make use, even very extensive use, of computing will not be regarded as eligible.) However, there is a limit of THREE dissertations per year per university, and one per research group within any university. To be considered, a dissertation should: